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Course Details
KTO KARATAY UNIVERSITY
Faculty of Fine Arts and Design
Programme of Graphic Design
Course Details
Course Code Course Name Year Period Semester T+A+L Credit ECTS
GR153 Drawing I 1 Autumn 1 2+2+0 3 4
Course Type Compulsory
Course Cycle Bachelor's (First Cycle) (TQF-HE: Level 6 / QF-EHEA: Level 1 / EQF-LLL: Level 6)
Course Language Turkish
Methods and Techniques -
Mode of Delivery Face to Face
Prerequisites -
Coordinator -
Instructor(s) Assoc. Prof. Özlem TEKDEMİR DÖKEROĞLU
Instructor Assistant(s) -
Course Instructor(s)
Name and Surname Room E-Mail Address Internal Meeting Hours
Assoc. Prof. Özlem TEKDEMİR DÖKEROĞLU A-AZ06 [email protected] 7576
Course Content
From two dimensions to two dimensions measured transfer work and the work of transferring the tonal differences are made.
Objectives of the Course
Students develop visual perception skills, basic composition, drawing, dimensions, perspectives within the framework of the exercises need help to be able to create their own personal narrative is to develop design skills.
Contribution of the Course to Field Teaching
Basic Vocational Courses X
Specialization / Field Courses
Support Courses
Transferable Skills Courses
Humanities, Communication and Management Skills Courses
Relationships between Course Learning Outcomes and Program Outcomes
Relationship Levels
Lowest Low Medium High Highest
1 2 3 4 5
# Program Learning Outcomes Level
P3 C To be able to realise designs in different scales within the scope of design discipline. 5
P5 E The ability to think analytically and critically. The ability to evaluate the knowledge and skills gained with a critical approach. 4
P6 F Ability to think and express in two and three dimensions. 5
P12 L Ability to gain accurate information about the structure of field materials, tools and machines and to use them. 4
P13 M The ability to have knowledge about the history of art and to take part in the protection of historical artefacts and contemporary works of art. The ability to gain ways of obtaining historical information about the field. 5
Weekly Detailed Course Contents
Week Topics
1 Opening course and pattern of the general description of the concept and related concepts
2 Basic essay, paper placement, measuring and proportioning and application of methods described.
3 Sketches, studies, sketches, patterns explained the concepts and practices
4 In the pattern, illustrated with examples from the masters of comic value
5 A composition consisting of inanimate model with the participation of the
6 Study the composition of inanimate model and then work jointly with the participation of the students to examine and critique.
7 Free perspective, single point perspective and to explain the double-point perspective.
8 Continue to work from the perspective of inanimate model.
9 Processing of inanimate model to cover all of the topics to apply a pattern.
10 Drawing from live models to work from live models and rapid granting of
11 Continuation of the pattern work from a live model.
12 Live model hands, feet, portrait studies, review and critique.
13 Live model hands, feet, portrait studies, review and critique.
14 Live model hands, feet, portrait studies, review and critique.
Textbook or Material
Resources McCorquodale, Charles, The renaissance : European painting 1400-1600, Studio Editions, 1994
Raynes, John, Figure drawing and anatomy for the artist, M.Beazley, 1993
Evaluation Method and Passing Criteria
In-Term Studies Quantity Percentage
Attendance 14 -
Practice - -
Homework - -
Presentation - -
Projects - -
Midterms 1 40 (%)
Final Exam 1 60 (%)
Total 100 (%)
ECTS / Working Load Table
Quantity Duration Total Work Load
Course Week Number and Time 14 4 56
Out-of-Class Study Time (Pre-study, Library, Reinforcement) 14 3 42
Midterms 1 4 4
Quiz 0 0 0
Homework 2 3 6
Practice 3 3 9
Laboratory 0 0 0
Project 0 0 0
Workshop 0 0 0
Presentation/Seminar Preparation 0 0 0
Fieldwork 0 0 0
Final Exam 1 5 5
Other 0 0 0
Total Work Load: 122
Total Work Load / 30 4,07
Course ECTS Credits: 4