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Course Details
KTO KARATAY UNIVERSITY
Mühendislik ve Doğa Bilimleri Fakültesi
Programme of Mechanical Engineering
Course Details
Course Code Course Name Year Period Semester T+A+L Credit ECTS
05471122 Industrial Design 4 Autumn 7 3+0+0 3 6
Course Type Elective
Course Cycle Bachelor's (First Cycle) (TQF-HE: Level 6 / QF-EHEA: Level 1 / EQF-LLL: Level 6)
Course Language Turkish
Methods and Techniques -
Mode of Delivery Face to Face
Prerequisites -
Coordinator Asst. Prof. Remzi ŞAHİN
Instructor(s) -
Instructor Assistant(s) -
Course Content
The course examines the phenomenon of industrial design and its products in the context of the following themes and contexts within the history of modernity: traditional craft production, applied and industrial arts, the rise of the bourgeoisie, the industrial revolution, mechanization, the growth of markets, neo-classical style, ornamentation and decoration, large-scale commercial production, the `Arts and Crafts? movement, aesthetic reform, the Great Exhibition of 1851, anti-industrial doctrines, industrialization, American-style production, mass and mass production, standardization, interchangeable parts manufacturing, utilitarianism, product diversification, machine aesthetics, `Good Form?, scientific management, Taylorism, rationalization, Fordism, modernism, futurism, purism,konstrüktivizm, `Art Nouveau?, `Deutsche Werkbund?, tip biçimler, kübizm, hazır-yapıt, `De Stijl?, `Bauhaus?, akışkan form, kurumsal kimlik ve imaj, markalaşma, ev, elektrik, işgücünden kazanım, tüketim, tarz, bireysel tercih, yaşam tarzı, statü, tüketimcilik, pop, anti-tasarım, ihtiyaç için tasarım, vb.
Objectives of the Course
This course is intended to give students an idea of the historical conditions that led to the emergence of industrial design as a profession. At the same time, the students are aiming to introduce the basic ideas, theories and arguments that have been produced to describe industrial design games, economics and the lives of individuals in modern society. Another goal is to present a broad vision of an event that has taken place at the intersection of different design areas throughout history: arts, crafts and industry, creativity and commercial gain, style and functional benefit, material objects and human desires, ideology utopia, production and consumption. Finally, it is aimed to examine the design product given to the students and to gain the complementary reasoning skills needed to place it in the historical context in which it emerges and is used and assessed.
Contribution of the Course to Field Teaching
Basic Vocational Courses
Specialization / Field Courses X
Support Courses
Transferable Skills Courses
Humanities, Communication and Management Skills Courses
Relationships between Course Learning Outcomes and Program Outcomes
Relationship Levels
Lowest Low Medium High Highest
1 2 3 4 5
# Program Learning Outcomes Level
P1 Adequate knowledge of mathematics, science and mechanical engineering disciplines; Ability to use theoretical and applied knowledge in these fields in solving complex engineering problems. 4
Course Learning Outcomes
Upon the successful completion of this course, students will be able to:
No Learning Outcomes Outcome Relationship Measurement Method **
O1 Uses current examples of systematic design principles. P.1.27 1
** Written Exam: 1, Oral Exam: 2, Homework: 3, Lab./Exam: 4, Seminar/Presentation: 5, Term Paper: 6, Application: 7
Weekly Detailed Course Contents
Week Topics
1 An overview of design history.
2 Traditional production period based on human power.
3 Transition of production with machine power (industrial revolution).
5 Art and Craft, Art Nouveau, De stijl.
6 Bauhaus and beyond, developments in design and materials.
7 Bauhaus and later, developments in design and materials.
8 Automobile concept and process in industrial design.
9 Automobile concept and process in industrial design.
10 II. Design in America and Europe after world war
11 Design in America and Europe after World War II
12 Contemporary tasters, (Philippe Starck, Timo Sarponeva, Alver Alto Karim Rashit, Olejansen).
13 Contemporary designers, (Philippe Starck, Timo Sarponeva, Alver Alto Karim Rashit, Olejansen).
14 Final studies
Textbook or Material
Resources Heskett, John. Industrial Design. London: Thames and Hudson, 1987.
Heskett, John. Industrial Design. London: Thames and Hudson, 1987.
Evaluation Method and Passing Criteria
In-Term Studies Quantity Percentage
Attendance - -
Laboratory - -
Practice - -
Course Specific Internship (If Any) - -
Homework - -
Presentation - -
Projects - -
Seminar - -
Quiz - -
Midterms 1 40 (%)
Final Exam 1 60 (%)
Total 100 (%)
ECTS / Working Load Table
Quantity Duration Total Work Load
Course Week Number and Time 14 3 42
Out-of-Class Study Time (Pre-study, Library, Reinforcement) 14 3 42
Midterms 1 40 40
Quiz 0 0 0
Homework 0 0 0
Practice 0 0 0
Laboratory 0 0 0
Project 0 0 0
Workshop 0 0 0
Presentation/Seminar Preparation 0 0 0
Fieldwork 0 0 0
Final Exam 1 60 60
Other 0 0 0
Total Work Load: 184
Total Work Load / 30 6,13
Course ECTS Credits: 6
Course - Learning Outcomes Matrix
Relationship Levels
Lowest Low Medium High Highest
1 2 3 4 5
# Learning Outcomes P1
O1 Uses current examples of systematic design principles. 4